TN:122 James Blake
Tape Notes
Modulus End: Generating Infinite Notes with a Turing Machine
They discuss a synthesizer called the modulus end and how they used a Turing machine to control it, allowing the synth to generate notes indefinitely within a set scale.
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In this episode, John is joined by James Blake to talk about how he wrote, recorded and produced the album ‘Playing Robots Into Heaven’.
With the idea of simplifying his solo work primarily with synths and drums, James shares his process of crafting an album with the purpose of getting away from the computer, reflecting on the impact it had on his creativity and mental health.
A true master of modular synths, he talks us through the long journey learning to create ‘listenable’ music with them, discussing the ways in which they are able to create sounds that he couldn't have imagined.
Listen to discover the enlightening advice James received from Universal's Head A&R, how to best record your voice if you plan to pitch it, and how to adopt the mindset of making music for fun.
Tracks discussed: Loading, Big Hammer, Playing Robots Into Heaven
LINKS TO EVERYTHING TAPE NOTES
Listen to ‘Playing Robots Into Heaven’ here.
Republic Records, Polydor Records, UMG Recordings
Intro Music - Sunshine Buddy, Laurel Collective
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Thermionic Culture Fat Bustard
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