HOME INVASION Pt 5: The Spiral Staircase (1946) & Dial M For Murder (1954)
The Evolution of Horror
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The Heart of the Film
I think she's the heart of the film. Yes, she is. And I kind of miss her in the second half because she's kind of he's gone through most of the second half of the film, isn't she? Right until the end. She becomes this sort of abstracted figure. That she's present, but also not present. So there's again, this sort of weird spatial, you know, and the only kind of idea that we have of where she is is this weirdly kind of red and green sequences. You can really get the feeling that Hitchcock's nothing out the idea of space. He's really trying to get a handle on what can be done in
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