The Strange Current of Violence in Marlowe's Plays

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A passage from John Sarekall had a very specific resonance when this was published in 1980 and when I wrote the essay back in the 70s. The resonance has to do with a scene that had burned its way into our consciousness which was shown on television, CBS. And it seemed to be a key that unlocked a door in Christopher Marlowe's work. So, my generation had to do yes with excavating the past, but excavating the Past is never a neutral activity. It has something to do with what we're interested in, who we are.

An infinite number of things happen; we bring structure and meaning to the world by making art and telling stories about it. Every work of literature created by human beings comes out of an historical and cultural context, and drawing connections between art and its context can be illuminating for both. Today’s guest, Stephen Greenblatt, is one of the world’s most celebrated literary scholars, famous for helping to establish the New Historicism school of criticism, which he also refers to as “cultural poetics.” We talk about how art becomes entangled with the politics of its day, and how we can learn about ourselves and other cultures by engaging with stories and their milieu.

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Stephen Greenblatt received his Ph.D. in English from Yale University. He is currently Cogan University Professor of the Humanities at Harvard University. He has specialized in Renaissance and Shakespeare studies, but has also written on topics as diverse as Adam and Eve and the ancient Roman poet Lucretius. He has served as the editor of the Norton Anthology of English Literature and the Norton Shakespeare, and is founder of the journal Representations. Among his many honors are the Pulitzer Prize, the National Book Award, and the Distinguished Humanist Award from the Mellon Foundation. His most recent book is Tyrant: Shakespeare on Politics.

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