In 1963, a British spy writing under the pen name John le Carré published a novel that shot to the top of best-seller lists worldwide. After the success of “The Spy Who Came in from the Cold,” le Carré became known as the king of the modern spy thriller, and his gritty, political books helped define the genre until his death, in 2020. On this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz dive deep into the le Carré œuvre, delighting in the “glorious confusion” of works like “Tinker Tailor Soldier Spy,” “The Constant Gardener,” and “A Perfect Spy.” They also discuss le Carré’s life in light of two retrospectives out this month: “The Pigeon Tunnel,” an Errol Morris documentary on Apple TV+; and “The Secret Life of John le Carré,” an addendum to Adam Sisman’s definitive biography that exposes decades of affairs in which the novelist ran women like agents. With these details as a jumping-off point, the hosts explore the themes of intimacy and romance across the spy genre, including the Martini-soaked romps of Ian Fleming’s James Bond and the FX show “The Americans,” where romance functions as a metaphor for spycraft. “One question I’m asking is, Why are sex and love so much part of the archetype of the spy?” Schwartz says. “When you’re pretending and playing at being so many different things, love is usually one place where the truth must out.”

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