Exploring Composers and Their Relevance to Teaching Counterpoint

This chapter delves into various composers discussed in the guest's book and their significance in teaching counterpoint. From Pasquini's example of melodic inversion in a fugue to Handel's clear harmonies and Bach's complex contrapuntal skill, the differences between these composers are explored. Feneroli's refreshing style and Marpurg's criticized fugues are also examined, highlighting the diverse approaches to composition and harmony.