Our episode today focuses on C.L. Clark’s short story “You Perfect Broken Thing” for how the character's stakes shape the barriers facing her. We use this story to examine how to tell the difference between barriers versus stakes. We also examine how to do this in a compressed space– whether that’s a short story, a single scene, or a compressed timeline.

Thing of the Week: We Have Always Lived in the Castle by Shirley Jackson

Homework: Write a short scene in which your character has to deal with a mundane obstacle, then rewrite it as if that small obstacle has life-or-death stakes. How did you shift it to make the stakes clearer?

Liner Notes:

Sandra Tayler's new book, Structuring Life To Support Creativity. Preorder your copy today at sandratayler.com!

And help fund Mary Robinette Kowal’s Silent Spaces, a collection of short stories on Kickstarter here:

https://www.kickstarter.com/projects/mary-robinette/silent-spaces?ref=nav_search&result=project&term=silent%20spaces%20

(Or go to kickstarter.com and type in “Silent Spaces”)

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Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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19.29: A Close Reading on Character: Barriers vs. Stakes

Writing Excuses

Character Barriers vs. Stakes in Storytelling

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