Netflix’s Greta Gerwig Situation, a Buried Clint Eastwood Movie, and Streaming’s Good Week
The Town with Matthew Belloni
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Netflix and the Shifting Landscape of Film Releases
This chapter explores Netflix's evolving relationship with filmmakers and the strategic decisions affecting film release policies. It discusses the potential for exclusive theatrical windows, particularly for high-profile projects like those of Greta Gerwig and the Russo brothers, and examines the implications for talent relations. Additionally, the chapter highlights the marketing struggles of Clint Eastwood's buried film, Juror No. 2, and contrasts it with other films to illustrate the complexities of contemporary film distribution and promotion.
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