The Importance of Clear Sound and Reedmaking

In an ideal world, we’d be building confidence in the practice room from one day to the next, but sometimes that can be easier said than done. It’s easy for the voice in our head to get very judge-y and negative and make us feel like we’re playing a never-ending game of whack-a-mole. Where every time we think we’ve solved a problem, a new one pops up to take its place.

Whether it’s getting through challenging passages that have become “a thing,” troubleshooting intonation in an ensemble without judgment, or making sure you’re not accidentally reinforcing bad habits when practicing slowly, bassoonist Benjamin Kamins has seen it or worked through it in his years as an orchestral musician, chamber musician, soloist, educator, and Alexander Technique teacher.

In this month’s interview, you’ll hear lots of anecdotes and tips for overcoming some of the common challenges we often encounter in the practice room and on stage.

Get all the nerdy details (and transcript) here:
Benjamin Kamins: On Self-Judgment, Slow Practice, and Reed-Making

More from The Bulletproof Musician

• Get the free weekly newsletter, for more nerdy details and bonus subscriber-only content.
• Pressure Proof: A free 7-day performance practice crash course that will help you shrink the gap between the practice room and the stage.
• Learning Lab: A continuing education community where musicians and learners are putting research into practice.
• Live and self-paced courses