I think I write in a way that pushes the envelope and what these styles can be. The story also has, I believe hands down the most elegant description of a freeway on their pass that that I've ever read. So you've done pieces like that or the MTV stuff where you have, I think sort of huge freedom it feels like to kind of explore. And then, you know, you've also done real like celebrity profile kind of things like Mahershali or Sam Jackson from GQ and Esquire. How difficult did you find adapting at that point to those kind of constraints? Not as hard as you would think.

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