Christine and the Queens - Doesn't Matter
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The Choreifice of a Greek Tragedies
I wanted it to remain really aggressive and bare, so the only thing to add was like rhythms instead of too many harmonies. The hi-hat centering at the second verse is kind of like an extra information of rhythm that makes the pace a bit more urgent. And in the French version I'm saying it's rage that makes me go forward. There is a moment in the track where I really wanted it to get super intimate and almost naked. Before actually the track reopens again and I'm projecting my voice even more. It has to be almost like in theatre when someone suddenly acknowledges the public. If you want to be listened to, just don't speak too loud.
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