Grotesque Horrors and Cinematic Irony

This chapter explores the absurdity and grotesque nature of a horror narrative centered around a biker murder and a chilling hit-and-run involving a character named Eastman. It analyzes the film's adherence to horror tropes, particularly focusing on the dangerous situations faced by children, while weaving in meta-commentary on a grimy 1980 film. The suspense builds toward a climactic battle where the protagonist defies her attacker, culminating in a shocking display of triumph and irony amidst schlocky filmmaking elements.