Film and the Desire of Mastery

The idea is thatt the objet takes on different forms like the obje. In the visual field is the gaze and in the oral field, it's the voice. The object marks an absence in the visual or field that manifests the subject's desire. So grasping the gaze as objective transforms our understanding of the film of experience. Instead of being an experience of imaginary mastery, it becomes a dramatic encounter with the real. We enjoy lector's desire rit, we find ourselves implicated as spectators. Yet he is not merely villain but transfixing character of the film.