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BPS 180: Nicolas Cage and Jumping Into Willy's Wonderland with Kevin Lewis

Bulletproof Screenwriting™ Podcast

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"I wanted big eyes and a mouth. And so he put pulleys inside the suits," says director Judd Apatow. "There's, we call this move tight rope movi. It really walks a fine line." The film was originally billed as an antomatronic sanc ie wen have eight r two d twos on set with a remote control like i no way.

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