Exploring Charles Manson's music potential, a hidden Guns N' Roses track covering a Manson song is discussed. The chapter also delves into the controversial link between Manson and the Beach Boys, transitioning to a film plot involving a woman unknowingly carrying the devil's child.
We discuss the various forms the Occult takes in Long Seventies cinema and why this medium informs all other media for decades when it comes to depictions of the Occult.