
The Economics of Bad Films
The Political Orphanage
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How Films Are Made and How Economics Affects Them
The individual worker never has as much clout as the company. And this is why there is Ficor, the financial core that allowed John Ridley and all these self-apra writers to say, hey, I'm going to work. They still have to pay dues, but they don't get to vote. If you're on a soap opera, you're just used to churning out material. Andrew Heaton: My problem is always when you want to get the government involved to force somebody to join union or to ban unions. That's where I get, I get not done.
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