Machinic Unconscious Happy Hour cover image

Daniel W. Smith - Deleuze's The Fold

Machinic Unconscious Happy Hour

00:00

The Optimism of Live Nets

I love film editing, because you're creating this continuity through these disparate, not everything is shot at the same time. Continuity in a film is constructed and delis would say, but that's equally true everywhere. I think if we tackled the fold, which is extremely dense and difficult, then maybe we are starting to be prepared for the cinema books as those are just as hard. If you wanted to say anything else you're working on or doing during the sabbatical, but if you feel like you've already discussed that with your interest in technology,. But I will let you have the last word. Just want to give you that form. Well, thanks.

Transcript
Play full episode

The AI-powered Podcast Player

Save insights by tapping your headphones, chat with episodes, discover the best highlights - and more!
App store bannerPlay store banner
Get the app