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It's None, F None of Its Good News
"The nineties were actually a fucked dark time, and so much was passed off as like, whatever. And then you look back and it's like, lu Perlman managed so many of those kids," he says. "You couldn't get a bigger, one of the biggest artists of the nineties there just, like, it's weird." 'It feels like it's getting pulled back on that time an hard writin,' adds bassist Michael jackson.