Céline Sciamma on her film Petite Maman, author Sarah Moss on The Fell, diversity in folk arts
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Music in Films
There are long passages in which you might expect people to speak, and they don't. You also did it portrait of a lady on fire. Because i think it soply about er. How do you make people listen? It's not because you're sitting in front of the felm you're actually watching and listening. And so music has that power to really, really tell youw how you should feel. I love to use that. But when i do it, i try to do it very, very strongly. Then music becomes a shelter and a fim a for your own emotions.
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