185 | Why Tone and Genre ≠ Plot (ft. Cole Haddon)
The Screenwriting Life with Meg LeFauve and Lorien McKenna
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Exploring Script Editing Tools and Narrative Analysis in TV Shows
This chapter explores using Navigator 2.0 in Final Draft to rearrange script scenes efficiently, enabling a deep analysis of structure and flow. It also delves into creating outlines through drag-and-drop, and compares narrative elements between Ted Lasso and another series, prompting a reevaluation of classism in art.
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