The chapter explores the different testimonies in the film 'Rashomon' and discusses the potential reasons for their contradictions and distortions. It delves into the characters' beliefs about human goodness and truth, pondering philosophical interpretations and the implications of a solipsistic view of the world. The chapter also highlights the brilliance of the movie in challenging the notion of a singular objective truth and explores the limitations of human perception and memory.
Eleventh Century Japan. A samurai and his wife are walking through the forest and come across a bandit. The bandit attacks the samurai and has sex with/rapes his wife. A woodcutter finds the samurai, stabbed to death. Who killed the samurai and with what? What role did his wife play in his death? Kurosawa gives us four perspectives, told in flashbacks within flashbacks. Who’s telling the truth? Is anyone? Can we ever know what really happened? A simple story on the surface becomes a meditation on epistemological despair.
Plus, your lizard brain is out to get you and you only have 90 seconds to stop it!
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