Everybody in the city knows that this child is there. Only some of them have come to see it though. Others are content merely to know it is there. They all know that it has to be there. Some of them understand why and some do not. But they all understand that their happiness, the beauty of their city, the tenderness of their friendships depend wholly on this child's abominable misery.
David and Tamler are pulled into Ursula K. Le Guin's "The Ones Who Walk Away from Omelas." Omelas is a truly happy city, except for one child who lives in abominable misery. Is that too high a moral cost? Why do some people walk away from the city? Why does no one help the child? Why does Le Guin make us create the city with her? Plus, we talk about our listener meetup in Vancouver, and a new edition of [dramatic music] GUILTY CONFESSIONS. Note: if this episode strikes you as too puritanical, then please add an orgy.
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