How to Write Politically Without Shrillness, Without Outrage

In this month's fiction podcast, Tessa Hadley reads "City Lovers," a story by the South African writer and 1991 Nobel Prize winner Nadine Gordimer. The story, which was published in The New Yorker in 1975, focusses on a love affair between a white man and a "colored" woman in Apartheid South Africa. It's deeply political in its details--the man is a geologist at a mining company, the couple's affair is illegal, and they cover it up by pretending that she is his servant. But Gordimer writes with a focussed intimacy that makes the piece a tragic love story rather than a political morality tale. "One of the things I think she can teach us," says Hadley, "is how to write politically without becoming shrill."