
Tessa Hadley Reads Nadine Gordimer
The New Yorker: Fiction
How to Write Politically Without Shrillness, Without Outrage
There's a recent story of yours, which we ran in the New Yorker called the stain. Do you think that there was a little bit of gourdimer influence on you when you were writing that? Yes. One of the things I think she can teach us is how to write politically without becoming shrill. The question of whether the story is outraged or not, whether you can write outrage is a really interesting one.
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