The Mystique of Guido of Arezzo: Monk, Hermit, or Reformer?

The Christian West and Its Singers: The First Thousand Years, by the great English musicologist Christopher Page, covers the development of Christian liturgical music from its origins as an elaboration of the role of the lector to its flourishing in the monastic and cathedral singing schools of France, as Roman chant was spread across Europe. One of the most important developments was the gradual development of a system of notation in the late first millennium, culminating in Guido d'Arezzo's invention of the musical staff which allowed singers to learn melodies they had never heard before. Guido was motivated by the desire to reform monastic singing and enable monks to fulfil their duties more easily. This went along with a the development of music theory far beyond anything that could be found in the classical sources.

Christopher Page, The Christian West and Its Singers https://yalebooks.yale.edu/book/9780300112573/the-christian-west-and-its-singers/

Gothic Voices ensemble https://gothicvoices.co.uk/

Christopher Page playing Renaissance guitar https://www.youtube.com/watch?v=9KW34ucTnhI&ab_channel=GreshamCollege

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