The Artistic Vision Behind 'House of Usher'

This chapter explores the production background of the 1960 film 'House of Usher', focusing on its artistic elements and connections to Robert E. Howard's 'Pigeons from Hell'. It discusses the significance of surreal paintings and their role in illustrating the themes of decay and evil within the Usher family. Additionally, the chapter highlights the contributions of Bert Schoenberg and his intriguing ties to the counterculture scene and other notable figures in horror cinema.