Art of the Cut, Ep. 157: "Everything Everywhere All at Once" Editor, Paul Rogers
Art of the Cut
Sound Design
In premier we had to, i mean, we had to know if the film is going to work. In general, i feel like there's so many scenes where if i don't sound design it almost finished, i don't know if it's going to working. If we don't nail that, then we're just kind of kicking that down the road for someone else to figure out. And at that point, a, it's locked. There's nothing we can do about it if it doesn't work. We spent a lot of time figuring that stuff out.
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