
The Scapegoat: René Girard's Anthopology of Violence and Religion Part Four
davidcayley.com
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Is There a New Line?
Today music is interrupted because, you know, one is too proud to be the disciple of anybody. For instance, someone like Mozart, it's a very interesting talk about music. The specialists say that from a technical viewpoint, Mozart is not creative. He brings nothing. But then Mozart was infinitely creative. Inside the framework, which never felt like changing, was good enough for him. So it's a totally different type of, I think the same thing is true in many fields, you know.
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