The Revenant: A Cinematographer's Guide to Digital Cinema

lighting is very very Linden, like very much. Like it almost like sucked you into the frame even further which is already dropped off because there's only small parts of light that you can see. So you're already creating too many frames inside of this already square aspect ratio and you really get that claustrophobia,. But also as you're saying, this fear of the unknown because there's something there that we can't see. I'm someone that can get annoyed by stylistic choices just for stylistic sake. And I feel like the lighthouse is a great example of all of the style is really doing work and working together to create the atmosphere and put you into the head of these