How to Use a Softbox for Moving Scenes

I would often build a soft, as big as I could, softbox or depending on the scene, you know, pools of light from above that we could keep out of frame. So we could look 360, just not tilt up. That was something that I just employed for pretty much the majority as the idea. And then when I could, I would, or need it, I would fill in from below a little bit. But that was definitely my main approach that I knew I had to do based on looking all around.