Isomet

How do you insure that the output is going to be something that is pleasing to the ears, or do you not? Do ot care that? That is the big question, right? Because you can write a system that outputs random stuff. What we're working with is a perceptual mapping. We're saying, if tempo equals slow, then b p m range must be between these perameters and tonality must be within this. And there's what those parometers would tell you things about from one phrase to the next,. how many notes change? How do they change?