E isus: I come from a country where the rate of typhoons has increased incredibly fast over the last ten years. So i wondered whether this rate of change that we've never been through before ages any off that narrative, because it is so uncharted inin the way forwards to oh, i mean, i think this kind of idea of time becomes very interesting. And i feel bad because it's always on the customer to decide and make choices of being like, how does this product come apart? Ah, and i hope that more browns can have more clarity when they sell products as supposed to. What do you do with the product at the end of its life? You know
For this episode focusing on how craft, creativity and our relationship with the planet can help us rethink established narratives and contribute to addressing historical injustices of the past, we visit the Radical Acts Biennial, an initiative from Harewood House. Joining our host, journalist and author of Africa is Not a Country, Dipo Faloyin, are independent curator Ligaya Salazar and Creative Director of Tiipoi, Spandana Gopal. Plus, Claire Ratinon, organic food grower and author of Unearthed: On Race and Roots, and How the Soil Taught Me I Belong.
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