The Third Man

Zorino: I think a city is central to the noir. There's this sort of, it's this lab-renthein sort of claustrophobic, corrupt paranoid space. And so these aspirations, you know, life being resettled in this sort of bitter dark reality are juxtaposed against this kind of glitz and lights. Zorino: The promise of technology really helps but none of this mundane domestic existence really helps.