I think that what we expect of high-end drama is to stretch our possibilities so far sometimes that it's hard to tally that with the reality of journalism. Henry doesn't accuse Bloom of corruption on TV. He's sort of circling it because he doesn't know for sure. It does get right that we're often on the outside, you know, looking out of a window, peering in, seeing something, but not quite being able to put our finger on it or not.

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