As Art Basel returns to Florida for the 20th anniversary of its Miami Beach art fair, Aimee Dawson, the acting digital editor at The Art Newspaper, talks to Anny Shaw, the acting art market editor, about the sales, news and talking points at the event that has become most synonymous with art-world excess. Meanwhile, after Arts Council England announced its funding allocation in November, arts organisations across the country, and especially in London, are reeling. Ben Luke talks to Jenni Lomax, the former director of the Camden Art Centre—the north London non-profit gallery whose funding has been cut by more than 30%. They discuss the effect of the cuts, and why the response from the visual arts community is relatively quiet compared to the uproar in the worlds of theatre and opera. And this episode’s Work of the Week is Oleksandr Bohomazov’s Sharpening the Saws (1927), a work from the National Art Museum of Ukraine in Kyiv. The painting is among a host of works moved from the war-torn country to the Thyssen-Bornemisza National Museum in Madrid for the exhibition In the Eye of the Storm: Modernism in Ukraine, 1900-1930s. Katia Denysova, the co-curator of the show, tells us about the picture, and the extraordinary journey it took from Kyiv to the Spanish capital.
Art Basel in Miami Beach until 3 December.
In the Eye of the Storm: Modernism in Ukraine, 1900-1930s, Thyssen-Bornemisza National Museum, Madrid, until 30 April 2023.
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