How Do I Write My Global Internal Stories?

I think there's something so fun about to, like werlick, if you're willing to go there and say the thing that everybody's thinking and nobody wants to say, right? And you let call it out. That's what's so fun, the specificity. We want to have the sense making part, but be careful not to do too much, write too much of that inner monologue, just telling the reader what they're thinking. Sometimes the best way to show them struggling to process is to have them free s so to stop taking action. So i've noticed some really cool pattern between jumping from now to duration to eternal.