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HOWA EP85 -BILL SCHNEE

hanging out with audiophiles

CHAPTER

How to Get a Nice Dry Drum Sound With Mics

The kick drum especially, that was most interesting to me because Richard Podler, this is, you know, late 69 in what became the hottest rock studio in Los Angeles. And he was using some oddball sure microphone on the bass drum. When I went out independent, I bought one of those. That didn't work in the other studio. So I ended up with the Sennheiser 421, which didn't have enough bottom for me, but at least it was clean enough down there.

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