The Parallax View: Corporate Distance of Modern Violence

Nico's got that funny feeling again, that the program the United States ran in South America for decades has come home. We talk about the uncanny feeling that has taken over the United States and how it has manifested itself in films, from John Frankenheimer's Seven Days in May to Alan Pakula's Parallax View to Paul Thomas Anderson's One Battle After Another. When the mirror is reflected only distortion, where does one go?

Shownotes and references:

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