
The Economics of Bad Films
The Political Orphanage
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The Future of Film
Tom Charity: I'm fascinated by your thesis that writers are afraid of AI, so they're striking. As consumers, what difference do you think that's going to make? He says it's much more a sense of who can control that technology. Charity: You just don't know when you watch a movie of what was written by the writer or an uncredited actor.
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