The Cost of Censorship in Australia

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Australia had a group of employees whose job was to look online, find child pornography and then block them. When the list was made public, it was determined that well over 90% of the websites on it weren't child porn. But those people well meaningly stepped nine times beyond their mandate from the government censoring far more than it was legal for them to censor. And that is what almost all real censorship is. We have to be looking out for bad guys who think they're good, which are sometimes us.

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How does the current information revolution compare to previous information revolutions? What kind of event or set of events counts as an information revolution? Why do new information technologies usually amplify the most extreme voices first? Why are intentions not very useful as a metric for determining whether a particular kind of censorship is good or bad? When, if ever, is censorship appropriate or morally acceptable? Why were officials of the Inquisition much more worried about slight deviations in theology than outright agnosticism or atheism? What are the implications of using AI to censor certain kinds of information? What do people misunderstand about history? Why are there so many more futuristic dystopian stories than utopian stories? What is "plural" agency, and why do we need more stories about it?

Ada Palmer is a cultural and intellectual historian focusing on radical thought and the recovery of the classics in the Italian Renaissance. She works on the history of science, religion, heresy, freethought, atheism, censorship, books, printing, and on patronage and the networks of power and money that enabled cultural creation in early modern Europe. She teaches in the History Department at the University of Chicago, and her first book is Reading Lucretius in the Renaissance. Find out more about her at adapalmer.com.

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