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Learning for Liberation: The Life and Legacy of Paulo Freire

New Books in Critical Theory

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The Origins of Popular Education in the United States

I was afraid to even tell anyone what I did in the classroom. It was like a secret. You know, the hegemonic walls would be speaking. Yeah, especially when you brought other forms like art and bringing the body and the spirit into the classroom. Then I put my energy in the early 2000s into creating a, actually the first certificate program in Canada and community arts practice.

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