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'No Time To Die': Cary Fukunaga with Cinematographer Linus Sangren

IndieWire's Filmmaker Toolkit

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The Cuba Sequence

Lienus off that one of my favorite examples of this is the whole Cuba sequence which has such a distinct look in the use of light in those night scenes. I wonder if you could talk a little bit about that in terms of not just the choices you made but also in that sense of like what we're talking about here. Lienus: "I tend to not like so much to use sort of artificial style colors but rather like actually use colors that normally exist"

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