Is There Entrapment?

2min Snip

00:00

Play full episode

Summary

Transcript

Episode notes

I did a two hour special with Dateline NBC with him as the host in which we replicated classic psych experiments. We reconstructed Milgram shock experiments and we got five of our seven subjects to go, you know, all the way up to the top shocks you could go. But that other show he had, they got NBC got sued for this because then they went off the air Because there's a certain amount of entrapment to get these guys to come over to somebody's apartment. One of them was a judge and I mean, a prominent, I forget his name, but prominent judge and he went home and killed himself. See, that's an interesting thing because I think we want

Shermer and Gold discuss: diversity, equity, and inclusion in the media • social justice movements and their motivations • bias in STEM fields • why people believe weird things • exorcisms • UFOs • faith healers • Derren Brown and how magic works on minds • hypnosis • sex and where to have an affair • Ashley Madison • female/male differences in sexual preferences and choices • non-offending pedophiles in Berlin • the curious case of Jimmy Seville: why didn’t anyone notice his pedophilia?

Andrew Gold is a British journalist whose podcast On the Edge with Andrew Gold investigates belief, cults and extreme ideologies. He speaks five languages, has lived in six countries and has made award-winning documentaries around the world for the BBC and HBO about fringe topics, from exorcism and UFOs to abortion and porn stars, and even more controversial terrain, such as his two years investigating pedophiles. On his podcast he has interviewed Richard Dawkins, Amanda Knox, John McWhorter, Gad Saad, Peter Boghossian, Robbie Williams and that Shermer guy…as well as several psychopaths, murderers, cult defectors and a guy who had to eat his friends after a plane crash. The reason he started his podcast is because the UK TV producers who work with the BBC kept insisting that he no longer be visible on-screen in his films because, he was told, they needed “a minority.”