When i was at trinity in texas, we also used their theatre space. Thatwas the space available to us for making an imersive showing. One thing that always lands is how audiences very rarely get to be in the wings. And like the costume shop, people just like light up just to be in those spaces because they're so cool. If you're not in the theatre world, you, you know it's really special. So you do original works, and you do collaborations, commissions. How does that work? And what how do you decide which to take on and who to work with and what to prioritize?
Zach Morris, Tom Pearson, and Jennine Willett of Third Rail Projects on caring for the audience, incubating new work, and intimacy versus scale.
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© 2022 Future of StoryTelling, Corp.
Produced by Future of StoryTelling, Corp.
124 West 13th Street
New York, NY 10011
Founder and CEO, Charles Melcher
Executive Producer, Carolyn Merriman
Producer, Sarah Vitak
in collaboration with Charts & Leisure
Founder, Jason Oberholtzer
Executive Producer, Mike Rugnetta
Editor, Garrett Crowe
Mix and Music, Michael Simonelli
With special thanks to Zach Morris, Tom Pearson, Jennine Willett, Bonnie Eldon, Shannon Fanuko, Meghal Janardan, and Megan Worman.