
Sustainability, Identity, Artisans and Designers
New Books Network
Phelpses' commitment to craft and workplace culture
Discussion of the Phelpses' emphasis on handmade goods, artisans completing whole pieces, and humane workshop practices.
Long before the fashion industry formally addressed questions of sustainability and advocated for “slow fashion,” a husband-and-wife design duo were working to create handcrafted leather-goods and functional women’s sportswear that could be worn for decades. Active from the 1940s to the late 1960s, the Phelps quickly won acclaim, attracting a broad clientele and becoming known for quality, utility, and craftsmanship.
Using vintage metal insignia and hardware, the Phelpses designed bags and belts that answered the need for American-made luxury goods during and after World War II. They worked to revive artisan workshops, fostered positive work environments for their employees, and employed injured veterans.
In Artisans and Designers: American Fashion Through Elizabeth and William Phelps, Dr. Rebecca Jumper Matheson offers the first in-depth analysis of the Phelpses’ partnership, their contributions to the fashion industry, and their forward-thinking business practices. She connects their work to larger conversations about sustainable fashion, consumerism, industrialization practices, and the intersection of art with American identity during and after World War II. The result is a richly-illustrated account of a brand, and the classic pieces that stood the test of time.
Guest: Dr. Rebecca Jumper Matheson is a fashion historian and adjunct instructor at the Fashion Institute of Technology. Her research focuses on nineteenth- and twentieth-century American women’s dress, using interdisciplinary approaches to discover women’s narratives as designers, makers, sellers, and consumers. She is the author of three monographs, including Artisans and Designers: American Fashion Through Elizabeth and William Phelps.
Host: Dr. Christina Gessler is the producer of the Academic Life podcast. She holds a Ph.D. in history, which she uses to explore what stories we tell and what happens to those we never tell.
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