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The Dilemma of Hard Light
It was an amazing work, mostly the three of us, because there was not really a proper production designer. So he was a vacuum, you know, he was taking it and he was giving and it was great. I remember the main thing I had at the dilemma, because I started loving really soft light. And then I started, okay, I'm going to light the sets with hard light, and light the character with soft light. Ah, good compromise. I literally said this in my head, it was like crazy, crazy, maybe stupid, I don't know what, it was a good idea or not."