One of the things Ben Davis likes about contemporary art is that he is always learning new things, because art spaces are always bringing new ways of making and thinking into the mix. Recently, unexpectedly, this has included magic. Specifically, Jeanette Andrews.
Andrews began her career as a professional magician, but now works mainly in museums, creating a body of work that’s something new, exploring magic as an expressive medium. Her works usually bring together the science of perception, the intrigue of coded messages, and the history of illusion as a craft.
Andrews has performed parlor tricks dreamed up by an algorithm to investigate human versus machine creativity; re-performed the earliest documented magic trick from 1584; and made art inspired by the use of sleight of hand in actual CIA espionage in the 1950s. And her explorations of this unusual creative space are actually getting their first dedicated museum exhibition soon, at the Elmhurst Art Museum in Illinois—that’s a little bit of news we’re breaking on the Art Angle, as a matter of fact.
Earlier this month, Ben went to see one of Jeanette Andrews’s most recent commissions in Boston, "The Attestation," at the MIT Center for Art, Science, and Technology. He describes it as a hybrid of stage magic and social experiment.
The questions of why, if, and how magic fits in in the museum seem fascinating to me, so he was happy that Andrews agreed to talk about how she pulled off her biggest trick of all: making magic art.
