
167: Hayao Miyazaki’s confusing new masterpiece
Deep Dive from The Japan Times
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The Boy in the Hair by Miyazaki
The boy in the hair didn't feel more final to me than say his last supposed last film, which was The Wind Rises. But at the same time, it does have a lot of the same themes as that film or same kind of obsessions again. We start this film right away with the world kind of ending and it's World War Two. And we've got a kind of bumbling dad of Miyasabi staple, for sure.
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