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HOWA EP 84 - CHRIS TABRON

hanging out with audiophiles

CHAPTER

How to Divorce the Writing From the Recording Process

I think that's a beautiful way to look at that exact argument about gear. You put Bill Evans on a toy piano and he's going to be in tears, you know? And so I can make a really shit song sound great, but I don't want to do that. So it's to divorce the writing from the recording process has been useful for me. What did I do? I took a 57, aimed it somewhere near the harp, and I went into the 424 because it was just what the song I thought needed. That's beautiful. Like I actually did the very speed thing and just recorded it straight in.

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