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Deleuze's Empiricism & Subjectivity

Machinic Unconscious Happy Hour

CHAPTER

The Power of the False

In the same way that one can enjoy wrestling, like I've said this before, right? Right, yeah, exactly. It's both cinema and these two examples bring in a sharp relief, the concept that you always talk about, the powers of the false. The way we were talking about it, I think today would be immersion, right? And I think that's one thing or suspending, you know, suspended disbelief. But there's also, there's the delirium of sort of the contradictions of the fictions, right? We are immersed in that delirium where we know that the shots are these cuts, but we immerse ourselves in the continuity of the film

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