‘Get Out’ With Bill Simmons, Wesley Morris, Sean Fennessey, and K. Austin Collins
The Rewatchables
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Lady Bird: The Best Screenplay of All Time
The writing from beginning to end is really better than you. I love how the movie deals with what could feel at first glance like obviousness. It's sustained by a more powerful idea but a serious idea, but it's an idea that doesn't take itself too seriously in the moment. There's a lot in the script that has been cut. The deleted scenes deleted for a reason usually.
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