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Oscar-winning editor Tom Cross, ACE on editing Damien Chazelle's "Babylon"
Art of the Cut
The Big Tonal Shifts
The film has big tonal shifts. Can you talk about those transitions? It's very interesting because we really had to keep track of where the characters are at. I mean, up to a certain point, they're very music driven. But there does come a point later where it's not about feeling percussive. It's about letting something breathe a little more.
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